
This work is really amazing.
Brian Jungen uses mass-produced goods to make sculptures that are simultaneously fake and authentic, playful and political, common and extraordinary.
In Strange Comfort, a major exhibition organized by the National Museum of the American Indian, Jungen reassembles plastic chairs—hacked apart but still undeniably chairs—into a whale skeleton. Suitcases take the form of a possum, a crocodile and a shark. Expensive sneakers become Northwest Coast-style masks. Golf bags become totems. Jungen charges ordinary, useful objects with layers of meaning, exploring and transgressing the boundaries of what they had been and what they’ve become, riffing on Indian imagery, pop culture, consumerism, and obsession in the process.
October 16, 2009–August 8, 2010 at the NMAI on the National Mall, Washington, DC
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